

There are technical limitations to the sampled piano, such as audible quantization and uneven variation in the timbre. An acoustic piano has undamped strings parts called duplex scales. The strings will still vibrate a little if the sustain pedal is depressed for a short time, which is known as pedal catch. The string vibrations don’t stop when the dampers are in contact with the strings. Steinway & Sons have approved the virtual replica of the New York Steinway square piano. They were donated by Peter Karsten, Braunschweig (Germany). The Karsten Collection contains five historic instruments that were built between 1600-1858. Pianoteq was the first piano to be part of this generation. It was developed from academic research at INSA Toulouse, Toulouse, France. Modartt continues to develop the Pianoteq physical model. Even the weakest pianissimo sound is pure and unaffected by any quantization noise. You will hear what you put on your keyboard. You can find all the variations of the timbre, from the most subtle pianissimo to strong fortissimo.

The first position is the ‘normal’ one, then the third string length. This is how Pianoteq allows for this control, taking as an example the cimbalom (ancestor of the piano).

This is in contrast to the position of the piano, where it is set by the manufacturer. Instruments like the cimbalom and vibraphone can be controlled by the musician. It reached maturity in the 19th century when the acoustic grand pianos were introduced. Cristofori’s 1698 pianoforte was the first generation of pianos. Pianoteq is perfect for modern laptops because there aren’t any samples. Pianoteq is superior to other virtual instruments because the instruments can be physically modeled, which allows them to simulate the complex playability and behavior of real acoustic instruments. The Pianoteq 6 virtual instrument is physically modeled and has a variety of presets that allow you to create different types of music.

Many pianists praise the Steingraeber E-272 Concert Grand piano as one of the best instruments available. It is now possible to delete certain parts of the MIDI sequence in the standalone version. A few hosts were not able to recognize the AU plugin. We are currently working on improving the KIVIR instruments, which are still available in version 4. You can assign the four pedals to one of a few parameters, such as Lute Stop, Celeste, or Super Sostenuto. The handling of scala KBM files containing more than one note per file is possible. This makes the instrument more alive than sample-based versions, and allows for greater variability in attack or sustain. The action sounds from keys, stops, and couplers can all be modeled. You can save the many settings as a personalized setting that you can share with Pianoteq users. Petrof authorized the physically modeled pianos, which capture the Petrof sound and offer a wide range of presets that can be used for any kind of music. Petrof 284 Mistral and Petrof 275 are two Petrof masterpieces that bring the authority needed for concert halls. There are many rumbling, ultra-low octave sounds prominently displayed. Paganini’s original ‘La Campanella,’ is the highest D# and it can be found in an octave that is higher than any other commercial piano library.
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Pianoteq’s extended keyboard reach brings out the full tonal palette of colors based on transcriptions from Paganini’s Second Violin Concerto’s last movement. Pianoteq’s ability to perform in this arrangement is evident.
